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Cyndi lauper memphis blues

More by Cyndi Lauper

cyndi lauper memphis blues

Memphis Blues is the tenth studio album by American singer Cyndi Lauper. Regarded as a continuation of her comeback the album was a nominee for the.

2017

Memphis Blues is the tenth studio album by American singer Cyndi Lauper. Regarded as a continuation of her comeback the album was a nominee for the Grammy Awards and was released on her 57th birthday, June 22, According to the Brazilian daily newspaper O Globo , the album had sold , copies worldwide by November To support the album, Lauper made her biggest tour ever, the Memphis Blues Tour , which had more than shows and covered every inhabited continent of the world. Lauper announced via her official Twitter account in December that she would be recording a blues album. Lauper has supported the album with the Memphis Blues Tour. Memphis Blues debuted at number one on the U.

View credits, reviews, tracks and shop for the CD release of Memphis Blues on Discogs.
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Allen Toussaint, Ann Peebles, B. King, and Jonny Lang all contribute to the record, and that collaborative approach generally elevates the record. The duets with Lang, however, come across as strident and ineffective. The tracks on which Lauper flies solo are no less a mixed bag. She remains a vocalist of phenomenal depth and power, but she sounds lost in this material and in these arrangements. Lauper has deserved a mainstream comeback for some time now, but Memphis Blues is unlikely to be the album to make that happen.

I hereby confirm that I have read and agree with the privacy policy. Item is temporarily out of stock. As much of a commercial monster as that record was, it took a few months for it to catch fire, not entering the Top Forty until four months after its October release. Her show at Cleveland's Agora Ballroom on December 14 of that year could have hardly been timed betterto catch her atthe threshold of success. Historically, Cleveland's often been among the first US cities to pick up on breaking artists, and an appreciative audience turned out for her show at the Agora, a still-running venue that had presented many top local and international rock acts since the late s.

Even those of us who would still mount the argument that Cyndi Lauper was -- and remains -- a far greater talent than her peer, Madonna , might approach this album with some trepidation: just as Dusty and Elvis went to Memphis to record some of their finest songs, so now has Cyndi -- but a rather different, more bluesy Memphis than that which drew the sophisticated Ms Springfield. But with a guest list which includes B. King , Jonny Lang, Charlie Musselwhite, the great Ann Peebles and Allen Toussaint , as well as a whip-crack session band with horns and organ, Lauper delivers an album of blues songs which is by turns restrained not a feature you might identify her by or full of earthy raunchiness and sensuality her version of Early in the Morning with Toussaint and King, How Blue Can You Get? She also proves herself again a thoroughly convincing torch-blues singer the aching Romance in the Dark , can get in behind a New Orleans gumbo beat the too-short Don't Cry No More and edgy rock-blues Rollin' and Tumbin' with Peebles, Crossroads with Lang. If Lauper doesn't at times quite pull out the Etta James-style throat-tearing she is capable of Down Don't Bother Me, maybe a little more in Crossroads you'll still conclude that this unexpected excursion has been very worthwhile for all parties. And us.



Cyndi Lauper:Memphis Blues (2010)

There is no doubt that Cyndi Lauper can sing almost anything and make it not only compelling, but her own and she has, many times, whether her albums sold or not. Arguing her gift as a vocalist is pointless.

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