Checco zalone la grande bellezza
- Sorrentino thanks 'crazy, but beautiful' Italy
- The film industry is losing ground to foreign productions
- Italy's The Great Beauty clinches an Oscar
- Italian cinema boom brings la dolce vita back to the big screen
Sorrentino thanks 'crazy, but beautiful' Italy
Italy's The Great Beauty (La Grande Bellezza), a magical and at times cynical romp through a Roman dreamscape, won the best foreign language film Oscar at the 86th Academy Awards on Sunday. The film by director Paolo Sorrentino beat Belgium's The Broken Circle Breakdown, Denmark's.con nbc saturday night live clips juventus lazio 2017 18
The organisers of the Venice film festival unveiled the latest lineup of entries last week as the Italian movie business prepared to host its annual jamboree. The host nation will enter the competition from a position of strength, as winners of this year's Oscar for best foreign-language film. Paolo Sorrentino's The Great Beauty La Grande Bellezza not only captivated the judges in Hollywood, but enchanted and, in some cases no doubt, perplexed art-house moviegoers the world over. Los Amantes Pasajeros , released five months earlier, has yet to gross even half that amount. Figures released by Italy's society of authors and editors show that the film industry's total earnings rose by 5. In any year, that would be encouraging, but for the Italy of it was astonishing, since the country was immersed and remains immersed in its longest recession since unification more than years ago.
Again, Checco Zalone is 'the comic masque of contemporary Italy. .. Sorrentino, P. (), La Grande Bellezza (The Great Beauty), Italy: Indigo Film, Medusa.
sala da pranzo in inglese
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The film industry is losing ground to foreign productions
Italy's The Great Beauty clinches an Oscar
The film tells the tale of Jep Gambardella, played by Toni Servillo, an ageing journalist who lives off the royalties from an acclaimed novel penned in his younger years and who, when not putting together columns for high-society magazines, enjoys a lavish life of parties and promiscuity. But alas, all good things come to an end, with Gambardellla growing increasingly jaded with his hedonistic lifestyle. Well, some of the film critics seem to think so. Sorrentino himself is confident the film will leave its mark in history. He told reporters: "For obvious reasons 'La Dolce Vita' is a masterpiece and my film will become a masterpiece too.
And then, there will be the new film of Checco Zalone. There have been and there will be quality productions, but we are talking about numbers that can not set into motion a situation in which Italian cinema is encountering increasing difficulties in comparison with American films. But this signals that the system is living a complex time. For a variety of reasons. On the one hand, there is a very strong theater circuit in the suburbs and interurban areas, which is generally preferred by the public that favors American movies. On the other hand, we have not developed a new and adequate circuit in urban centers, where the audience is mostly made of those who prefer European and Italian films. TOZZI : There are license problems that in the historic centers make it very difficult to both maintain and open new theatres.
Italian cinema boom brings la dolce vita back to the big screen
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